Klaus Drechsler
Klaus Drechsler looks back on a large and enduring body of work, always with an eye on the fragile beauty and transience of life. His paintings, graphic works and sculptures grew steadily over five decades without any internal breaks, independent yet in constant friction with art history and his time.

curriculum vitae
1940 | born in Ober-Dammer / Lower Silesia |
1947 | relocation to Upper Lusatia |
1957-1960 | attendance at the Workers' and Peasants' Faculty at the Dresden Academy of Fine Arts |
1961-1966 | study at the Dresden University of Fine Arts under Paul Michaelis |
1966 | member of the Association of Visual Artists of the GDR |
1966-1969 | Aspirant at the Dresden University of Fine Arts |
1966-2006 | creative director of the painting and drawing circle Pirna-Sonnenstein e.V. |
1969 | since then freelance work |
1970-1980 | concentration on intaglio printing |
1979 | since then multicolored screen prints, color lithographs and algraphs |
1983 | award for portrait »100 ausgewählte Grafiken der DDR« |
1990-2006 | lectureship at the Technical University of Dresden |
1991 | member of the Saxon Association of Artists |
1991-2005 | head of the painting circle for the disabled, working class welfare organization Pirna-Sonnenstein |
1992 | since then painting therapies for psychiatric patients, Pirna Hospital |
1994-2002 | teaching position at the Dresden University of Fine Arts |
1996 | honorary member of the Kuratorium Altstadt Pirna e.V. |
1997 | increased focus on sculptural work |
2001 | cultural Award of Pirna and Sparkasse Freital-Pirna |
2002 | W. G. Paul Prize (II) for Graphics |
lives and works in Dresden-Wachwitz |
Capturing and highlighting the visually »fruitful« moment of a situation that is seen as real or perceived as surreal is the key. Using pencils, watercolours, oil paints or algraph as his preferred printing technique, and for the past two decades also sculptural forms and even the medium of hand drawing, which usually comes at the beginning and often already offers him solutions: he does not hide the persistent struggle for truthfulness in his works – they thrive on it.
Klaus Drechsler. Malerei, Graphik, Plastik, Dresden 2016, S. 9
Klaus Drechsler's still life arrangements are multi-dimensional in their conception. The range of motifs varies from objects from the immediate everyday environment to objects with extensive symbolic content. Playing cards, seashells and skulls provide the artist with the intellectual and creative framework for his perpetual dialogue with the theme of vanitas. Impressed by the calmly inspired, objectively clear compositions of Spanish masters such as Francisco Zurbarán and Juan Sánchez Cotán, which are filled with bright colours and firm corporeality, Klaus Drechsler similarly lends his objects an enhanced conceptual conciseness.
Klaus Drechsler. Bilder aus drei Jahrzehnten, Bautzen: Stadtmuseum 2000, S. 4
Drechsler's character is strong enough to fit into a great tradition without worrying about marketable avant-gardism. He is as close to the old German masters as he is to the efforts to melt Classical Modernism into a renewed, contemporary awareness of tradition.
Laudatio zur Eröffnung der Ausstellung »Aquarelle und Zeichnungen aus Büchern«, Kulturetage Dresden-Prohlis 1991, in: Klaus Drechsler. Bilder aus drei Jahrzehnten, Bautzen: Stadtmusuem 2000, S. 87
further exhibitions
1979 | Pretiosensaal, Dresdner Schloss, Dresden |
1980 | Kunstgalerie Bautzen: »Aquarelle, Handzeichnungen, Druckgrafik« |
1982 | Galerie im Cranachhaus, Weimar (with Margret Weise und Rolf-Ruediger Weise) |
1983 | Galerie Nord, Dresden |
1988 | Zentralinstitut für Kernforschung, Rossendorf |
1989 | Kleine Galerie, Hoyerswerda |
1996 | Ernst-Rietschel-Kulturring, Pulsnitz |
2004 | Martinshof, Rothenburg: »Gleichnisse« |
2005 | Weinbergkirche Dresden-Pillnitz: »Nähe und Ferne« |
2008 | Freiberger Kunstverein e.V., Freiberg |
2010 | Stadtmuseum Pirna |
Villa Eschebach, Dresden | |
Kunstsammlung Lausitz, Senftenberg | |
2012 | Kreuzkirche, Dresden: »Menschen unterm Kreuz« |
2013 | Stadtmuseum Pirna: »Von Früchten, Mythen und Gemäuern - watercolours, colour graphics, bronzes« |
2015 | Stadtmuseum Pirna: »Schule des Sehens« |
GALERIE HIMMEL, Dresden: »Wachwitzer Elegien« | |
2017 | GALERIE HIMMEL, Dresden: »Herbstzeitlose« |
2018 | Klinikum Hoyerswerda, Geriatrische Tagesklinik: »Sächsische Landschaften und Stillleben« |
2019 | Koenigshain Castle, Koenigshain: »Die Stille und das große Rennen« (on the 80th birthday) |
2020 | Kleine Galerie im Stadtmuseum, Doebeln: »Stilles Leben – Hexenritt« |
Maegdleinschule, Pirna: »Schuetzenswerte Gemaeuer« | |
GALERIE HIMMEL, Dresden: »Vita brevis« (catalogue) | |
2021 | Galerie Budissin, Bautzen: »Sinnbild, Allegorie, Vision im plastischen Werk« |
2023 | Galerie Klinger, Liegau-Augustusbad: »Kompositionen in Farbe« |
2024 | GALERIE HIMMEL, Dresden: »Sommerstrand« |
2025 | GALERIE HIMMEL, Dresden: »Fragile Schoenheit« |
Stadtmuseum Pirna: »Schuetzenwerte Gemaeuer« | |
Ostsaechsische Kunsthalle, Pulsnitz: »Werkgruppen der 60er Jahre bis zur Gegenwart« |